Tag: zombies

Theo… or Why I Love Zombies

deviance, genre fiction, Habeas Corpse, paranormal, writing life, zombies January 24, 2014

I’ve had some fun questions from readers about Theo… where the idea came from and how I got the zombie thing under my skin. I’m a mystery writer at heart, really, so the crime fiction angle comes from my science roots and years of snitching my father’s true crime books. My love of zombies is something else, and relaying this requires a look at religion, at pop culture, and my very favorite of all subjects to study… DEVIANCE.

magic-island-photo-2bFirst and foremost, I’ve always been fascinated with the idea of zombies. I’m sure this comes from studying religions and the social implications of religion in general. It’s incredible to me that someone can be so immersed in a religious belief that the power of suggestion alone is enough to make them believe another human being has control of them. I’m planning another blog post on the Haitian zombie phenomena so I won’t go into detail about it, but to carry that kind of faith is both amazing and terrifying.

I took a class in college called “Deviance and Social Control.” We studied some subversive cultures like motorcycle gangs and religious cults, and the differences in how one defines deviance both within and without these subcultures. Fascinating stuff. In my own teaching module on deviance in popular fiction, I offer up the idea that in order to truly build a society in fiction, a writer has to study what their society considers deviant. When I took a look at the Haitian voodoo model, the zombie myth really stands out as deviant.

So within this subculture (Haitian, and to some extent, Creole, voodoo) we have another smaller section of believers who include zombies, botGilgameshCover420h the existence of and the act of transforming others into slaves. Western culture considers voodoo to be deviant (this definition of deviant does not necessarily mean wrong, but rather simply violating agreed-upon social norms), and the zombie is even a step further. So combine my love of religious study and deviance and BAM! There’s the zombie.

Popular culture has long been fascinated with zombies, and the first well-known Western example of this is obviously in George Romero’s Night of the Living Dead. But there are references to flesh-eating dead as far back as in The Epic of Gilgamesh. Our fascination with zombies in one form or another has been around for centuries.

And while deviance can take many, many forms, is there really anything more deviant than the dead rising to consume the living? NO FREAKING WAY.

I love what pop culture has done with the zombie recently, with a few notable exceptions. I love The Walking Dead, both the TV show and the graphic novel. I love Zombieland and Shaun of the Dead. I love Joe McKinney’s Dead City and Jonathan Maberry’s Rot and Ruin. Wonderful stories with tension and danger. But I also love the Haitian zombie, the one under someone else’s control, used as a slave. Theo was born from my love of the zombies of Voudon. Theo’s under the strict control of societal expectations. He wants to be deviant, all the zombies in Habeas Corpse do, but society controls them as surely as the voudon master controls her minions.

Finally! A Big Announcement!

Habeas Corpses, marketing, publishing, writing life December 7, 2012

Drum roll please… Okay, just imagine one or something. Just lots of fanfare and whatnot and whatever you do, DO NOT imagine me doing an obnoxious happy dance. Because I don’t need to pay the therapy bills for that mental anguish.

On to business!!

I’m thrilled to finally be able to announce that I’ve signed with Blood Bound Books to publish my horror novel, HABEAS CORPSES.

Yes, they chose to keep a variation of my working title. I’m very happy about that, since it took a long time and a genius suggestion from a good friend to end up with that title.

Editing fun!

Editing fun!

 

We’re in the editing stages now and I’m lucky to be working with RJ Cavender. I’ll write a blog post about the process in the near future, but for now I’ll just say that this will be a better, stronger story with his guidance. I have a graduate degree in writing, but I’m learning a ton while doing these edits.

I can’t wait for everyone to meet my zombie.

I’ll keep everyone updated on artwork and release dates from here at the blog and also on my website. I’m absolutely thrilled to be working with everyone at Blood Bound Books and can’t wait to share this story with everyone!

Brains and entrails and spoons, oh my…

genre fiction, research, zombies November 28, 2012

Zombies. Shamblers, moaners, walkers, undead, the risen, biters, crawlers, uglies. Mindless masses of once living humans craving human flesh.

Whatever you want to call them, they’re terrifying. Death by zombie isn’t pretty, what with the gnawing and the gnashing of teeth. Having one’s brains scooped from his or her skull and chowed upon doesn’t sound like the most peaceful way to slip into the hereafter.

No one wants to become a zombie, either. The idea of wandering the planet restlessly searching for my next meal isn’t exactly appealing. Depending on the type of zombie and the writer’s preferences, there is a question of whether or not the zombie is aware of their predicament. Is the soul of the person still behind the decaying face, unable to control his or her movements and base desires?

These are the questions we are faced with when the walkers come knocking. Nothing about zombies is pleasant, including their actions and the manner in which they feed. Is it fair to downplay the violence associated with zombies? When we, as readers, are confronted with something as horrifying as the walking dead, is the writer somehow obligated to domesticate the monsters? Or do readers of zombie fiction prefer the full experience, the visceral terror and grotesque details of the legend?

My novel, Habeas Corpse, is the story of a zombie who is trying to reintegrate into a post-apocalyptic society. Theo Walker discovers he can relive the last moments of a dead person’s life when he consumes their gray matter. Eating human flesh is the only way the zombies in my novel can feel emotions or experience chemical sensations, like sexual pleasure or anxiety.

If you look at the classic zombie movie, Romero’s Night of the Living Dead, the violence is understated. The audience was very different then. These were people accustomed to I Love Lucy, Gomer Pyle, and Gunsmoke. Fast forward to today, and we’ve got movies like Zombieland, The Dead, and the upcoming film adaptation of World War Z. Even movies meant to be comedic like Shaun of the Dead, and YA novels like Jonathan Maberry’s Rot and Ruin series incorporate more violence and gore than ever before. The modern zombie connoisseur cuts his teeth on The Walking Dead, and if you’ve been watching that over the last few episodes, you know what gore is all about.

Does the modern zombie reader want to return to the homogenized, nonviolent zombie of Romero’s time? I don’t think so. Today’s zombies fans want realism. They don’t want the story sugarcoated or dumbed down. In fact, most zombie fans expect a healthy dose of gore and complain if they don’t get it. Fans of the TV version of The Walking Dead did just that after a season of what they saw as too little action and too much sitting around the farm. This season reflects the fans desire for more zombie killing, blood, death, and the struggle for survival, not just avoiding the walkers.

In Habeas Corpse, Theo depends on ingesting human flesh in order to feel emotion and experience stimulation. Eating the flesh is more than opening his mouth and inserting the food for Theo; the act of eating heightens his senses and brings him closer to the state of humanity he’s lost since dying. It’s a “whole” experience for him. The sensual nature of savoring the entire experience is essential to understand his motivation. The story would not be as effective without the graphic descriptions of the consumption of human flesh.

Leave me a comment. Do zombie fans expect or even want gore? Or should zombie stories be homogenized to fit a larger audience?